edited by Dahlia El Broul
whereby motors draw a pen across the surface of a sheet of paper via commands from a software program
centred on a two-story rental in a down-at-heel section of Hollywood in the sixties and seventies
24 x 15 cm
These include Miya Masaoka’s A Line Becomes a Circle
Harriet Armstrong: To Rest Our Minds and Bodies Framed edited by Dahlia El BroulLes Fugitives Ltd, 2025, softcover, 256 pages, 18. 1 x 12. 3 cm In her final year of university, an undergraduate in psychology reckons with a romantic obsession with a postgraduate in computer science. The story of a first love, unrequited, but not quite, To Rest Our Minds and Bodies confronts thorny gender relations, contradictory desires, consent, and unravelling mental health within Gen Z. Armstrong queries the nature of experience, mapping the