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and it was the Latin transliteration of al-Khwārizmī’s name to Algorizmi that gave us the modern word ‘algorithm’
capture more a multitude of identities and expressions of beauty
and their properties receive more attention
Theresia Enzensberger reflects on them and places them in an art-historical context: Which iconographic tradition can the ship stuck in the Suez Canal be situated in
poems by Erdenesolongo Batchuluun and Byambajav Gombojav—two Mongolian poets—are woven throughout the book
Spike Art #88 - Spirituality family and it was the LatinSpike Art, founded in 2004, is a place for criticism and unconventional ideas, mixing writing on themes urgent and forever unresolved, from Web3 and After Beauty to Plants and Patriarchy. As a print quarterly, a digital broadside, and an event space, Spike offers a soapbox to cultural critics and literary essayists to chronicle our time in thought. Spike is also visually splashy, by turns pushy, poetic, unexpected and not shy to start an argument.
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