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His network of creative collaborators and associates largely coincides with his circle of friends: many of his works from the 1980s and 1990s are portraits of fellow protagonists of the New York underground scene and the contemporary milieu
The Commercial City Centre as the Final Commonplace
They are liked or generate protest
computer scientists
These finely meshed nets are stretched in a strict grid according to fixed rules and thus relieved of their original function
Berlin Stories theory His network of creative collaboratorsfeaturing stories from Theodor Fontane, Robert Walser, Alfred Dblin, Erich Kstner and many more.