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Christ in the Storm on the Sea of Galilee (1633) by Rembrandt van Rijn is among the largest and earliest of his works
gazing out at mountains and trees in a sea of fog
Monet claimed that he titled the painting after the hazy painting style: "They asked me for a title for the catalogue
as described in the fourth chapter of the Gospel of Mark
Arrangement in Grey and Black No
Man with a Blue Chaperon ☶ Van Eyck ☴ Art Print Paper Finish:Resin Semigloss Christ in the Storm onPortrait of a Man with a Blue Chaperon (1430) by Jan van Eyck depicts a man in a blue headdress presenting a ring. Artists did not title their works in the Northern Renaissance period, so his name and true profession have been lost. As such the painting has attracted several titles: Portrait of a Man with a Blue Hood, Portrait of a Jeweler, and Man with a Ring. The painting is not signed or dated by van Eyck. Albrecht Drer's signature "AD 1492"
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