The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists Sterling Puar argues that configurations of

Puar argues that configurations of sexuality

Larissa Harris

This supple

space: living room

meticulously hand-painted

The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists Sterling Puar argues that configurations ofEdited by Simon Njami, with contributions by Mara Ambroi, Zdenka Badovinac, Roberto Casati, Johannes Hoff, Achille Mbembe, and Pep Subirs The catalogue to a highly unusual 2014 group show staged by Simon Njami at the Museum fr Moderne Kunst, The Divine Comedy features sixty African artists from twenty two countries using Dantes poem as a contemplative framework for works addressing migration, transnational identity, and the construction of the Other