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Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system
Technically the book operates like a pictorial cheque book and its pages are pre-cuted
Since the exhibition "Hurts So Good" had no overall theme
unbuilding
happier and more fulfilled
The Long 1980s natural history Jessica Backsell interrogates the magicAssesses the decade of the 1980s as a turning point in political action: identity politics, political shifts between east and west, start of neoliberalism. Looks at art from this era from the perspective of activism.
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