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his massive personal archive of thousands of photographs remained virtually unknown until 1963
Zdenek Martinovsky
Taken in a Hamburg bar frequented by sex workers
organic "decisive moment
He exploded into the literary consciousness with his first book
Postmodernism. Image Scavengers: Photography. December 8, 1982 - January 30, 1983. Signed Copy his massive personal archive ofInstitute of Contemporary Art, University of Pennsylvania, 1982. Text by Paula Marincola with an additional essay, "Appropriating Appropriation" by Douglas Crimp. Includes exhibition checklist and selected bibliography. Artists: Ellen Brooks; Eileen Cowin; Jimmy De Sana; Barbara Kruger; Sherrie Levine; Richard Prince; Don Rodan; Cindy Sherman; and Laurie Simmons. [A landmark exhibition in the history of Postmodernism in photography.] Wraps, 40 pages,