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anchoring essay by art historian Linda F
Jeanloup Sieff
Taft’s work approaches the medium as an indispensable recording form and a powerful shaper of national identity
provocative issue that balances a critique of the photography industry with deeply empathetic documentary portfolios
Alternative & Historical Processes: Introducing various unusual and hybrid photographic chemistry techniques used to create unique visual textures
Smith, W. Eugene. "The Conscience of the Print," in Camera 35, May 1970. Untitled (Friends of Photography) anchoring essay by art historianEntire issue of Camera 35 featuring article on W. Eugene Smith, with portfolio of Smith photographs, pages 36 42 and detailed analysis of Smith's working methods by Bob Combs, pages, 43, 60, 62, 64, 66 69. There is another full page Smith photo in a Soligor ad on page 61. Other articles include using punched cards to find photos in a collection. Condition generally good with the two leaves in center of magazine detached (could be reattached). Summary:
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