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and autofiction to present the real and the imagined as equally surreal possibilities
Looking at landscapes as vessels of collective experiences and memories
restores the stakes of this book and returns to the radical nature of Wang Bing’s cinematographic choices
Digital platforms are issuing new kinds of money-like things: phone credit
More than a mere extension of the hands
Iran / A Picture Book capitalism and autofiction to present theSince the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran Iraq War of 198088), which is part of the founding myth of the Islamic Republic. Between 2011 and 2014 Oliver Hartung produced a work on Iran, typological series of images depicting monuments,