‘Feel It?' Gallery_Featured and possibility projected outward

and possibility projected outward

designed to move comfortably with the body while maintaining presence

I worked from memory rather than reference

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substantial in presence

‘Feel It?' Gallery_Featured and possibility projected outwardFeel It? centers on a skeletal hand and skull arranged in a quiet but charged exchange. The composition leans into touch and perceptionwhat is sensed, what is remembered, and what lingers just beneath awareness. Eyes and lips appear within the structure, adding moments of intimacy and interruption. These elements soften the skeletal forms, shifting the work away from anatomy alone and toward sensation, vulnerability, and presence. The hand becomes an