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The composition owes nothing to representation — pure simultaneity governs the arrangement
instilling the work with genuine emotional warmth
or is about to
This archival fine art print renders Hasui's delicate tonal shifts and crisp outlines with complete accuracy
The delicate gradation of colour
Woman Combing Her Hair by Gōyo Hashiguchi Bea Müller The composition owes nothing toPerhaps the most recognised work in Hashiguchi's lifetime output of just fourteen prints, this shin hanga composition depicts a woman absorbed in the slow ritual of combing her hair. The cascading black hair dominates the composition, its linear flow contrasting with the geometric patterns of the kimono and the rounded forms of the figure. Hashiguchi's treatment of the hair each strand implied rather than drawn is a technical achievement that defines
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